Roger Amerman is enrolled Choctaw, but grew up in Pendleton and is married to a Nez Perce woman and lives now on the Nez Perce Reservation in Idaho. A few years ago, before the pandemic, Roger taught a beading workshop at the Josephy Center. It was a good one, and, when he was done, he fished for something more. He’d majored in geology—and had worked as a cultural interpreter for National Parks and the Forest Service. Roger suggested we do an ethnogeology workshop on a bus. We would start people in Pendleton and bus them to Wallowa Lake, stopping along the way to explore geological features and Native stories. He knew some elders who would love to do it.
And then came Covid!
But the idea didn’t die. “We have,” Roger said, “ethnobotany and ethnobiology. Why can’t we have ethnogeology and look at our Native landscape through the eyes of geologists and Tribal elders?” I introduced Roger to geologist Ellen Morris Bishop, and we were off.
We brought Nez Perce elder Allen Pinkham Sr. into the project, and made a short video with the three of them talking at Wallowa Lake. We wrote grants and visited Nez Perce village and fishing sites in Wallowa County with Tribal elders and the two geologists. USDA Nez Perce Historic Trail saw and liked what we were doing, and with their help we mounted a big program to get our two principles and several elders up the Snake River, and to Tolo Lake, where the Nez Perce stopped after being forced from the Wallowa Valley. We would also go to Cooper’s Ferry, where Oregon State geologist Loren Davis had documented human habitation for over 16,000 years! We found a videographer and two young Nez Perce photographers to document the journey.
And here we are with an exhibit we call “Heads and Hearts: Seeing the Landscape through Nez Perce Eyes.”
We had a grand opening on July 18; over 90 visitors went through pounds of Nez Perce smoked salmon, read the panels, looked at the photos and maps, and watched Nez Perce storytellers on looped videos tell the stories themselves. The exhibit, and the videos, will be here at the Josephy Center until September 13, but we made a book of it too, so you can follow the ethnogeology story more closely from home. Or you can watch a virtual exhibit too, at https://josephy.org/event/heads-and-hearts/.
But the best is to come in to the Center and see the big photos and maps—and also see the fine artwork of three Native artists from Oregon, Joe Cantrall, Lillian Pitt, and James Lavadour. We have two framed prints from each on lone from Crow’s Shadow’s permanent collection, and unframed limited edition prints for sale. The prints are not in the catalog, but I think one of Jim Lavadour’s landscapes would make a fine advertisement for the show–and for ethnogeolgoy, “Seeing landscape through Native Eyes.”
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Image is of Spring 2023, a limited edition lithograph by James Lavadour