Category: Joseph Band

The Last Indian War—Horses and Technology

Elliot West’s “The Last Indian War” was published in 2009, so it has been around. I’d not read it, but it was handy and I needed to check a date or name, so picked it up. And read a page or two. And decided I should read it. Read it because what West does is put the Nez Perce War in context of the Westward movement and US history.

We know that the War parties—Nez Perce and pursuing armies—moved through Yellowstone National Park. Some writers even tell us that it—Yellowstone—was a first, and that tourists were encountered and captured. But West tells us that yes, Yellowstone was the first National Park, and that it “reflected three powerful forces creating and defining the West.”Read Rich’s Post →

A Longhouse in the Wallowas

We’ve been talking about building a Longhouse on the grounds of the Nez Perce Homeland Project (Wallowa Band Nez Perce Trail Interpretive Center, Inc. is the official name of the organization) outside the town of Wallowa for many years. I can’t remember exactly how many.

For those of you who get these blog posts and do not know about this project, a very brief intro: In the spring of 1877, Young Chief Joseph led the Wallowa, or Wal-lam-wat-kain band of Nez Perce Indians out of their homeland, across the Snake River, intending to join other bands on a reduced reservation in Idaho. Conflict erupted, the Nez Perce War ensued, and after years of exile in Leavenworth and Indian Territory, the Indians returned to the Northwest, but not to the Wallowas.

About 1993, as the big celebration of the Oregon Trail’s 150th anniversary got underway, a group of local people and tribal members from Lapwai, Nespelem, and Umatilla got together and made an organization. We then bought 160 acres with money we got from the Oregon Trail license plates (and some help from the Lamb Foundation and Cycle Oregon and others). We soon built a celebration arbor and then Tamkaliks, a summer celebration that had been held at the Wallowa school and in other locations in July since the late 1980s, moved to the new grounds and arbor.

I’ll steer clear of mentioning names—there are too many—except to say that without Taz Conner and Terry Crenshaw, two elders, one Indian, one white, who have both passed, we would have no grounds and thus no Arbor and no Longhouse.

Years ago, after we had built the arbor and acquired another 160 acres, some of the tribal members who were here for an annual meeting strongly stated that a Longhouse should move to the top of the “to do” list. A donor stepped up with $75,000 to kick things off. So we started planning—and planning and planning. Talking with elders and especially Longhouse elders from the three places in Oregon, Washington, and Idaho. And then, as Joe McCormack (I know I said I was not going to mention names, but Joe is the Nez Perce Tribal member who lives here in the Wallowas and so has had to shoulder a lot of the load over the years) likes to say, we talked with the women elders about it all and things started coming together.

Two years ago we built a Longhouse kitchen, and since then have been working seriously on Longhouse plans and raising money to build it. We raised money. We hired contractors. Joe and the contractors found good trees on nearby forest land. And this spring the building began.

And on Saturday we had an open house. The word spread quietly among local friends and to the reservations, and about 60 people showed up to see the guts of the building as it is under construction. The 56 foot very straight red fir ridge log is 28 inches in diameter with only slight taper. It is beautiful, hand pealed, rubbed and caressed and carved to sit atop two large pillars that are tied to foundation and ground with adjustable plates that can be taken up as logs shrink. The pillars or posts themselves are carved to slide over timbers that allow for movement—for this shrinkage.

The Longhouse has bathrooms and storage on the west end, and a gabled open porch to the east—to the rising sun. There will be a dirt floor in the ceremonial area, and foods will be moved easily from the adjoining kitchen to participants inside. It is expected that naming ceremonies, funerals, and other special events as well as regular Seven Drum ceremonies when elders are here will all be part of the Longhouse agenda. Even some other non-ceremonial uses will be possible. Like in a church. It is a church. A Plateau Indian church.

Traditionally, services were probably held in “long tents,” long buildings of hides, canvas, or tule reeds stretched over three or more sets of tipi poles. There have been Seven Drum ceremonies here during powwows and at other times in the summers—mostly out in the open—for many years that I know, and undoubtedly many more than that.

But there is something beautiful about this more permanent building, a recognition that the Nez Perce might have been put out of here over 100 years ago in the rush to settlement and settler agriculture, western movement and manifest destiny—but they have never really left.  And the water, salmon, deer, elk, roots and berries that provided for the Indians and Longhouse feasts before contact, before the European and the horse, the diseases and wars and industrialization of the land, the things that were here then are here still. And will grace the tables at the Longhouse in Wallowa for generations.

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Nez Perce Park turns 50; Alvin Josephy 100

Beadwork byAllen Pinkham, Jr.
The Nez Perce National Historical Park celebrates 50 years this summer, which also marks the centenary of Alvin Josephy’s birth.  Josephy, who passed away in 2005, wrote The Nez Perce and the Opening of the Northwestand is the namesake of the Josephy Center for Arts and Culture and the Josephy Library—which is my gig. As part of the Park’s anniversary celebration, the Center is honored to host “Nuunimnix” a Native American Art Exhibit, which opens this Saturday, May 30 at 3 p.m. This will be followed by a Sunday celebration for Alvin, a “birthday party” for the historian and friend of the Nez Perce people. This one is at 4 p.m. May 31.
The Nez Perce art is not commercial, but “gift art,” the things tribal artists and craftspeople have made for each other. The Nez Perce Park, for those not familiar with it, is unique among national parks because the land is not all contiguous, and is not all owned by the Park Service. It is headquartered on the Nez Perce Reservation in Spalding, Idaho. In 1965, all sites in the Park were in Idaho, but it now includes bits of Oregon, Washington, and Montana. In Wallowa County, the Dug Bar Crossing and the cemetery at the Lake are now on the list. For more information on the Park, go to http://www.nps.gov/nepe/index.htm,
Some of the Indian artists and the show’s curators will be here to talk about it, and a Nez Perce Drum will be here to help with the celebration. Fortunately, the drummers and singers have agreed to stay over and help with the Josephy celebration. For those of you who were at the memorial service at the Josephy ranch in the summer of 2006, this is the same group of drummers who honored the Josephys at that time. And although I cannot promise it, I believe that one of the drummers stayed at the Josephy ranch as a boy and attended the Wallowa Valley Day Camp.
Albert Barros, who is currently on the Tribal Council, will also be here. He too stayed at the Josephys, went to Day Camp, called Betty Josephy “mom,” and am sure will have a few words. This is a tight circle, with old family friends, many of whom grew up with the Josephy children, now tribal elders!
Al Josephy’s favorite picture of his father
Josephy children: Al Josephy and some of his extended tribe plan to be here as well. Daughter Kathy—“Katch”—hopes to sing one of her dad’s favorite songs. And we will be opening a small permanent exhibit that explains Alvin’s career. It’s set up as a hundred year timeline; Al came up with the title: “100 years of Headlines.”
Alvin Josephy never set out to make headlines, but he wrote quite a few. Our exhibit will feature many of his books and articles—Now That the Buffalo’s Gone and 500 Nations; “The Custer Myth” in Life Magazine, and “Wounded Knee and All That—What the Indians Want” in the New York Times. It might not be ready this Sunday, but we will have his voice in that broadcast on the Marine Corps invasion of Guam.
So this is a big weekend, and I hope that some of you who read this blog and follow goings on here in the Wallowa Valley will join us in the celebrations. And if you cannot make it now, sometime in June, while Nuunimnix is still on display. And if not in June, whenever you make it to the Wallowa Country, traditional home of the Joseph Band of the Nez Perce Indians.

p.s. If you get Oregon Public Broadcasting, April Baer and I talked this morning, and some portions of it will be broadcast on her “State of Wonder” program at noon this Saturday. I understand you can “stream” it from anywhere, but any streams I know about are all wet.