MLK and the Indians

I remember Alvin Josephy saying many times that the white liberals who had joined the Civil Rights Movement and Dr. King did not understand the Indian situation. To paraphrase him, “As the Civil Rights movement gained strength and won some victories, white liberals thought they could just transfer ideas and tactics over to Indian affairs. But there was a fundamental difference. Indians didn’t want their ‘civil’ rights, but their ‘sovereignty,’ the treaty rights and at least some of the land that had been stolen from them.”

Another constant theme of Alvin’s: “From the beginning Indians had three choices: become white—assimilation; move, across the Mississippi, further west, to reservations—removal; or extermination.” From the beginning, Euro-Americans who wanted to treat Indians fairly often thought the best way to do so was to assimilate them. Their assumption was that Indians had lost the continent, white civilization was on the march, and Indians were obliged to join the parade. Alvin’s boss at Time Magazine, Henry Luce, thought Indians who resisted this maxim were “phonies,” and should just get on with adapting. Alice Fletcher, the famous “measuring woman” among the Nez Perce who had actually written some of the Dawes, or Allotment, Act, had in mind to make every Indian a Jeffersonian farmer. She appreciated Indian cultures—some of the ethnographic work she did among the Omaha and other Plains tribes on Indian songs and dances is still available in Dover Books. But the Indian solution, in her mind, was assimilation. The culture would go to textbooks and museums.

Even photographer Edward Sheriff Curtis felt that Indian cultures were “vanishing,” and sought to keep as many of them as possible alive in words and images. To Curtis’s credit, his time of work, the years on either side of 1900, were probably the nadir for Indians. According to the US Census Bureau, there were only 237,196 Indians left in the country in 1900.
Indians have not disappeared—Fletcher and Curtis would both be happy with that. And in fact their resurgence did have something to do with the 1950s and 60s Civil Rights Movement. Martin Luther King was aware of Indian history, which he naturally interpreted in racial terms in his 1963 book, Why We Can’t Wait:
Our nation was born in genocide when it embraced the doctrine that the original American, the Indian, was an inferior race. Even before there were large numbers of Negroes on our shores, the scar of racial hatred had already disfigured colonial society. From the sixteenth century forward, blood flowed in battles of racial supremacy. We are perhaps the only nation which tried as a matter of national policy to wipe out its Indigenous population. Moreover, we elevated that tragic experience into a noble crusade. Indeed, even today we have not permitted ourselves to reject or feel remorse for this shameful episode. Our literature, our films, our drama, our folklore all exalt it.  
King trumpeting the Indian story nationally in such graphic terms had to have had an impact. And Indians did follow what was happening with American blacks. The NCAAP, the oldest civil rights group, was formed in 1908. NCAI, the National Congress of American Indians, the first national Indian lobby, was formed in 1944, and NARF, the Native American Rights Fund, was modeled after the NAACP Legal Defense and Education Fund in the mid-sixties, at the height of the Civil Rights Movement.
Today, sovereignty and treaty rights, not always secure, not always playing out the Indian way, are acknowledged and of moment across the country—with a much greater understanding by white liberals. It’s all speculation, but one might argue that AIM, Alcatraz, the second Wounded Knee, none of it would have happened without the Civil Rights Movement and Martin Luther King. And the way King brought Alvin’s third Indian alternative—extermination, or, in 20thcentury terms, genocide—to the fore has certainly had a sobering influence on policy makers and Indians themselves over the last 50 years.
As King and Indian leaders would say, there is still much work to do, but we are a long way from 1900 and a “vanishing race.”

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McCullough and Josephy—part 2

I mentioned in an earlier blog that Alvin hired David McCullough at American Heritage. I implied that Alvin began working for and hired David for the magazine, but in fact Alvin’s first job and his hire of David were in the book division of American Heritage. Alvin would later become editor of the magazine.

Parallels: David McCullough was a lit major in college, and had been a journalist with Sports Illustrated and the United States Information Agency when Alvin hired him at American Heritage. At some point, McCullough came across a batch of photos of the Johnstown flood. He had grown up in Pennsylvania with stories of that catastrophe, so his interest was aroused, and he went to the bookshelf. Finding no acceptable history of the event, he determined to write it himself. The Johnstown Flood was his first book.

Alvin was working at Time Magazine when he came across the Nez Perce story. He had been a print and radio journalist before the War and a Marine Corps correspondent during the War. He picked up all the available literature on the Nez Perce—and like McCullough with the Jamestown flood, found the books on the shelf wanting. Eventually, after finding Yellow Wolf and Hear Me My Chiefs, first person accounts of Nez Perce history and the their war, Alvin determined to write the Nez Perce book himself.

Here is where paths part. David McCullough finished the Johnstown book, and, after three years at American Heritage, determined to make it in the world as a narrative historian. He knew it was a gamble, but, with support from his wife (who was his first reader), he made the leap and never looked back. Books on the Brooklyn Bridge, the Panama Canal, and presidents Truman and Adams followed He also began introducing and narrating historical programs—“Smithsonian World,” and then “American Experience”—for public television. Today, David McCullough is the recognized dean, and probably the most widely read, historian in America.

Alvin started plugging away at his Nez Perce book in the early 1950s—while working full time and climbing the editorial ladder at American Heritage. His books were written at a slower pace—The Nez Perce and the Opening of the Northwest was a dozen years in the writing—because he had the other jobs, and because he was becoming an advocate for Indians as well as historian. But the “other job” at American Heritage allowed him to weigh in, as editor, editor in chief of book division, editor of the magazine, on a wide range of subjects that interested him, from the history of flight and seafaring to wars and civilizations. It allowed him to make his marks in American history in many ways—choosing topics and writers for books and the magazine, and hiring the likes of McCullough!

It also gave him access to organizations and individuals promoting Indian rights, and he was soon on the board at the Heye Museum of the American Indian, giving speeches at the National Congress of the American Indian, working with the Native American Rights Fund, and consulting on Indian affairs to Stuart Udall under President Kennedy and directly for President Nixon.

The interesting thing about Alvin is that through it all, a big part of him worked away at being a narrative historian. He did write Patriot Chiefs and the Nez Perce book, and, eventually, a landmark historical treatise on the Civil War in the West. He worked on a Hudson’s Bay history project, which was aborted by the death of Happy Rockefeller (but that is another story!), and there are 13 huge folders of material and manuscripts for articles and a book on the Sioux in the Josephy Archives at the University of Oregon.

I believe that what drove McCullough in his writing and his public television presentations, and what drove Alvin, as an editor, publisher, and historian, is a similar view of history. They both believed in narrative history, well researched and showing all sides of historical events and the people involved in them. More importantly, it was history as a living thing, a series of men’s and women’s actions and choices rather than of predetermined events and glories. McCullough summed it up in the Paris Review interview I quoted last time around:

“In truth, nothing ever had to happen the way it happened. Nothing was preordained. There was always a degree of tension, of risk, and the question of what was going to happen next… No one knew Truman would become president or that the Panama Canal would be completed.”

That view drove McCullough to serious history; it drove Josephy to history—and to activism!