Ken Burns and “The Americans”

Hollow Horn Bear–1923 US Postage Stamp

I’ve been a big fan of Ken Burns’ documentaries—like many I watched the Civil War series as it came out; like many (though not as many) watched “Baseball” explore the post Civil War Civil Rights journey; and I caught most of the recent “Vietnam” series the first time around and will watch the one episode and parts of others I missed as they come back to my screen.

Yet there is a giant hole in the work of Ken Burns. In the September 4 issue of the New Yorker, author Ian Parker profiles the documentarian, and the headline writers call it “Mr. America.” Parker recounts many of Burns’ triumphs, from “The Brooklyn Bridge” to “Mark Twain” and the “Dust Bowl.” And he quotes Burns on at least ten ideas for the future, including “Hemingway,” “Crime and Punishment in America,” and “Country Music,” which is already in the can and set to run. He’s also considering “Winston Churchill,” and chuckles that it fits into his pantheon because Churchill had an American mother.

Burns is a history buff, an American History buff. But something big is missing: Americans. Here I step back to the original meaning of that term. The current issue of American Indian Magazine announces the fall exhibit at the National Museum of the American Indian, “The Americans.” It then explains that

“The exhibition’s title is a play on words. In the Oxford English Dictionary, the first definition provided for ‘American’ is ‘An indigenous inhabitant of (any part of) the Americas; an American Indian.’ This usage was common until the early 19th century.”

I googled. Here is the 1828 Webster’s Definition: “A native of America; originally applied to the aboriginals, or copper-colored races, found here by the Europeans; but now applied to the descendants of Europeans born in America. The name American must always exalt the pride of patriotism.”

The NMAI exhibit traces the use of Indian images by government and industry over the entire course of US history, from a 1792 “Peace and Commerce” medal with a bare-breasted and beautiful Indian “queen,” to the “Tomahawk missile” and (my favorite) the Pontiac car, named after an Ottawa Indian Chief who’d beat the British.

Maybe the most dramatic image is that of Hollow Horn Bear, and I quote at length from the American Indian Magazine article because it says it all:

Already a familiar face in Washington, D.C., Sicangu (Brule) Lakota chief Mat ó Hé lo e a, or Hollow Horn Bear (c. 1850–1913) became the iconic, if unnamed, “American Indian” by 1923, when his likeness appeared on the new 14-cent U.S. postage stamp. He also appeared on the five-dollar bill, the first and only historic Native to be shown on U.S. paper currency. Hollow Horn Bear fought alongside Oglala Lakota Chief Red Cloud in Red Cloud’s War of 1866–68 and participated in the defeat of Gen. George A. Custer in the Battle of Little Big Horn in 1876. Yet he later served as a delegate to the federal government and marched in the inaugural parades of Theodore Roosevelt in 1905 and Woodrow Wilson in 1913. His transition from feared enemy to national symbol is one of the mysteries explored in the major new exhibit “Americans,” opening this fall at the National Museum of the American Indian on the National Mall.

The complications: an Indian who lived through the Indian Wars and fought against one-time hero George Custer, but did not live long enough to see the true story of Custer explained to the public—or to see his own image on a US Postage Stamp! Somehow exemplary of the crazy many-sided ways that later Euro-Americans have addressed, and continue to address, the people who were here to meet the Mayflower, Columbus’ boats, and those of the slavers. The “500 Nations” of North America and the many more of Central and South America.

I’d challenge the historian in Ken Burns to take on this story, one that makes the complications of the Civil War and Vietnam pale, a story about Americans who saved the Plymouth colony and Lewis and Clark, influenced Benjamin Franklin and the first colonialists, and excited Rousseau, the fur traders, mountain men, and generations of movie makers. And these Americans—unlike the Civil War heroes and the fading population of World War II veterans and Rosy the Riveters, are alive today and holding on to languages and cultures that sustained them long before the new Americans hit the shores of the American continents.

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Beaver hats

Sometimes you read something or hear something or something happens that changes how you look at the world. For me, reading Charles Mann’s 1491: New Revelations of the Americas before Columbus, and thinking about world history in terms of the “Columbian Exchange” did that. For the first time, I connected the fact that potatoes originated in the Andes—that I had picked up somewhere along the line, with the potato famine in Ireland and the potato lefse that my grandmother made every holiday. That the Americas were vibrant places full of humanity and human influenced landscapes before the Pilgrims settled Plymouth suddenly became obvious—how did the corn, beans, and pumpkins get to the far north anyway?
How I wish I could have talked with Alvin about Charles Mann. Better yet, how good it would have been to put them together. That is kind of what we did in our class this Wednesday (“Introduction to Indian Studies and the Nez Perce Story” on Wednesday mornings at the new Josephy Center). We were reading Alvin’s “The Hudson Bay Company and the American Indians,” which first appeared in three parts in the Westerner, and then again as “By Fayre and Gentle Meanes” in American West Magazine in 1972.
We discussed beaver hats. The fur trade, after all, supplied furs—at a dizzying pace—to England and Europe for the purpose of making felt hats, beginning in the early 1600s and continuing for at least 200 years. Why the hubbub about beaver furs and hats? It turns out beaver fur is extraordinarily good for felting—something about the small hooks on hairs meshing together in the felting process—and that hats were already, in the sixteenth century, signs of status and socio-political points of view in the old world. And that the beaver on that continent (I think they are not exactly the same as the new world beaver, but we’ll leave that side road to other investigators) were all but trapped out. 
In the new world, early white settlers were finding it tough to make a living with farming. And there are records of Dutch settlers sending furs across the Atlantic in the early 1600s; the Plymouth colony soon followed suit. And fishermen plied the Atlantic Coast, and occasionally put in to pick up Indians to sell as slaves across the sea, and occasionally added furs to their trade goods (it is thought by many that white fishermen were responsible for bringing smallpox to the coastal Indian peoples, and thus reducing the indigenous population—and their potential resistance—by 90 or 95% just a few years before the more famous Pilgrims arrived).
Soon French and English trappers and traders were vying for trapping ports and Indian tribes to provide them with furs. Eventually, the Hudson Bay Company, chartered in 1670, became the dominant trader with Indians and supplier of beaver pelts to the old world. There were differences in how French and English traders worked—the French were more likely to intermarry with Indians and adopt more of Indian culture. Traders brought guns and diseases along as they pressed north and west. There were issues of control of tribal lands—the Crown gave Hudson Bay a “charter” for a huge hunk of what is now Canada; the Louisiana Purchase transferred “claims” to Indian lands from the French to a young United States, etc., and wars among French, English, American, and Indian forces grew alongside the fur trade.
Alvin chronicles the movements of traders and of tribes, the diseases, the growing dependencies of tribes on white men’s goods, the place of alcohol, the peace making and the confrontations, and the “softening” of tribal lands for the waves of settlers who would soon follow. He doesn’t tell us much about the beaver and beaver hats. I think Mann would have talked with him about that. For your edification and fun, here is a web site that has a lot of information on the topic: http://people.ucsc.edu/~kfeinste/beaverhat/Main.html. The site will also tell you about issues of class and gender in Europe, and show you pictures of some of the finest hats.
Alas, the fur trade and the place of beaver hats in national life and international diplomacy is a fascinating one that gets sleight treatment in standard history texts. Imagine felt hats getting all the way back to the Andes!
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