Indian Church

Longhouse at Wallowa Nez Perce Homeland

It’s called a “longhouse,” because long ago tipis were strung together to make a “long tent” of hides or tule mats that could accommodate a large number of people for living, and, eventually, for religious ceremonies. The ceremonies are often called “seven drums,” because there are most often seven hand drums and a bell at the west end of the room or space looking toward the east, where the view to the rising sun is open. Songs are sung in cycles of threes and sevens, the lead singer/drummer rotating with each song. Women are on the south side and men and boys on the north, and a dirt floor in the center is a place where dancers dance and celebrants moved to speak speak.

These ceremonies and the religious beliefs expressed in the long house have been honed over centuries by Indians of the Plateau tribes of the interior Northwest.

President Grant thought he Read The Article

A Longhouse in the Wallowas

We’ve been talking about building a Longhouse on the grounds of the Nez Perce Homeland Project (Wallowa Band Nez Perce Trail Interpretive Center, Inc. is the official name of the organization) outside the town of Wallowa for many years. I can’t remember exactly how many.

For those of you who get these blog posts and do not know about this project, a very brief intro: In the spring of 1877, Young Chief Joseph led the Wallowa, or Wal-lam-wat-kain band of Nez Perce Indians out of their homeland, across the Snake River, intending to join other bands on a reduced reservation in Idaho. Conflict erupted, the Nez Perce War ensued, and after years of exile in Leavenworth and Indian Territory, the Indians returned to the Northwest, but not to the Wallowas.

About 1993, as the big celebration of the Oregon Trail’s 150th anniversary got underway, a group of local people and tribal members from Lapwai, Nespelem, and Umatilla got together and Read The Article