Above the Clearwater: Living on Stolen Ground is Bette Lynch Husted’s memoir of growing up on a dirt-poor, white, family farm in Nez Perce Indian country in Idaho. Their meagre plot had once—and long—been Indian country. Nez Perce Reservation lands were reduced by 90 percent from those promised in an 1855 Treaty in an 1863 Treaty. The Allotment Act, which sought to put individual Indians on Individual parcels of land, declared “surplus lands” open to white homesteaders. Whites gobbled up 90 million more acres of Indian land, That, as I recall, was the origin of the Lynch farm. Read The Article
William Vollman’s new novel, The Dying Grass: A Novel of the Nez Perce War, is getting rave reviews. I have it, have glanced at the first few pages and looked at the extended notes and acknowledgements—and hoisted the 1350 page and what must be five-pound volume—but have not begun reading it. I am waiting for a five or six hour piece of time to take the plunge—seeing it and reading reviews having convinced me that I cannot do it justice or give myself an honest go at it in bedtime snatches.
But I have been thinking about it, and thinking about how the Nez Perce story captured Alvin Josephy 65 years ago and continues to capture writers and readers 138 years after the Nez Perce War put it on the front pages of New York newspapers. So this is a quick—pre-Vollman book-read—meditation on the enduring and captivating nature of the Nez Perce Story.
1. The Nez Perce came to national Read The Article