Category: Cliff Trafzer

Another painting/statue/book of Chief Joseph?

Fouch photo of Joseph in Bismarck 1877

This week a sculptor who is having bronze work done at the local foundry came into the library looking for pictures of Chief Joseph. He has it in mind to do a bronze of a young Chief Joseph on a horse. He’d seen a picture of a Nez Perce—not Joseph—on a horse that had inspired him, and had seen photos of Joseph as an older man. He wanted pictures of hairstyles and clothing that might help him portray a younger Joseph.

We found his horse photo online, and when he mentioned the Nez Perce and Appaloosas, I pointed out the lack of spots on this photo. And sent him away with the Harry and Grace Bartlett and Alvin Josephy material from the New York Brand Book magazine of 1967. I also suggested a couple of books he might read.

We have two statues of Young Chief Joseph in Wallowa County, both done by Read The Article

Tooting a horn about a new book

Well, it’s kind of my horn, but mostly my friend and mentor, Alvin’s horn. And mutual friend and co-editor Marc Jaffe’s horn. And editor (Alvin’s own long-time editor) Ann Close’s horn. She steered us through the project, and then passed it on to Keith Goldsmith at Viking Penguin. So a chorus of horns—maybe a band!

The book is The Longest Trail: Writings on American Indian History, Culture, and Politics, by Alvin M. Josephy, Jr., edited by Jaffe and Wandschneider. It’s in three sections, based on three concepts that Alvin drummed into us over years: First, that the standard narrative of American history has omitted Indians—they have either been sideshows or impediments to the march of Euro-American civilization, not treated as actors in the American drama, the actions, decisions, and accidents that have all gone to make us the nation we are.

Second, Indians have something to teach us still about living with the rest of creation. There were democrats Read The Article

Alvin Josephy, the Listening Man

Gordie High Eagle, Millie Zollman, Albert Barros 

On Sunday at the Josephy Center we honored Alvin with Nez Perce drums and talk and a new exhibit highlighting some of the milestones in his life. This all followed the opening of a splendid Nez Perce Art Show. The show, mounted in celebration of the Nez Perce National Historical Park’s Fiftieth Anniversary, features art that tribal members make for each other—the buckskin shirt, cornhusk bag, moccasins, beaded horse regalia and headdresses worn for ceremony and parade. It’s here for June, then goes to the History Center in Lewiston, Idaho.

The Josephy exhibit stays put!

And, it seems to me, the story it tells—and the honoring of him on Sunday made this explicit—is that Alvin Josephy was a “listener.”

Bobbie Conner, the director of the Tamástslikt Cultural Institute on the Umatilla Reservation, spoke emotionally about conversations between her grandfather and Alvin in the 50s and 60s. Alvin, she said, listened to Indians, and Read The Article