A couple of years ago Allen Pinkham Jr. was here at the Josephy Center teaching beading and drum building. At the end of his stay, he said that “We Nez Perce were canoe people. I think I’d like to come back here and build a dugout canoe.”
|Photo by Edward Sheriff Curtis of Nez Perce Dugout Canoe|
A couple of summers ago Allen Pinkham Jr. was here at the Josephy Center teaching workshops. He did a few days of beading and a few making drums with a handful of people interested in the crafts and the Nez Perce Indians who had developed them. At the end of his stay, Allen told me that “We Nez Perce were canoe people you know. I’d like to come back here and carve a dugout canoe.”
That conversation sent me on a journey that landed enough grant funds to bring Allen back—in fact, he’s due in tonight with his father and with Bob Chenoweth from the Nez Perce National Historical Park in Spalding, Idaho. Bob’s made a study of historic Nez Perce canoes— there are only a handful in existence, and the park has four of them—and will do a program based on his research. Allen Sr. will chip in with Read The Article
A year ago, Allen Pinkham Jr. worked for a few weeks as an artist in residence at the Josephy Center. He beaded and made drums and taught workshops in beading and drum-making. At the end of his stay, Allen said that he’d enjoyed himself, and that he would like to come back—and he had an idea. “We were canoe people. I’d like to come back and build a Nez Perce dugout canoe.” We’ve been working with Allen and aim to help him do that this year.
|Nez Perce Canoe–photo by E.S. Curtis c. 1910|
It turns out that there are only a handful of Nez Perce dugout canoes in existence. The Nez Perce National Historical Park has four of them, so I went and looked at them, and talked with Park curator Bob Chenowith, who has studied them and written about them. And with help from the US Forest Service, Nez Perce National Historic Trail, we are on the road Read The Article
A few hundred Nez Perce Indians called this Valley home for thousands of years. They called themselves Nimipu (“the people”) and identified with this place, their families, their band and its headmen (Young Joseph, Old Joseph, Wal-lam-wat-kain, and on and on) more than any larger tribal group. European horses and diseases got here before Europeans did, and then the fur traders, who probably had seen a couple of Indians in buffalo country with dentalia they had traded for at Celilo through their nostrums, and put the Nez Perce name on them. This all before 1805 and Lewis and Clark. The fur men, migrants themselves, many from France and Scotland, trapped, traded, traveled and married with Indians. They had posts in Spokane and made it to the Pacific just five or six years after the Lewis and Clark’s Corps of Discovery. Historian Grace Bartlett says there were a couple of Frenchmen living in the Wallowa Valley with Indian wives when the Read The Article
|Gordie High Eagle, Millie Zollman, Albert Barros|
On Sunday at the Josephy Center we honored Alvin with Nez Perce drums and talk and a new exhibit highlighting some of the milestones in his life. This all followed the opening of a splendid Nez Perce Art Show. The show, mounted in celebration of the Nez Perce National Historical Park’s Fiftieth Anniversary, features art that tribal members make for each other—the buckskin shirt, cornhusk bag, moccasins, beaded horse regalia and headdresses worn for ceremony and parade. It’s here for June, then goes to the History Center in Lewiston, Idaho.
The Josephy exhibit stays put!
And, it seems to me, the story it tells—and the honoring of him on Sunday made this explicit—is that Alvin Josephy was a “listener.”
Bobbie Conner, the director of the Tamástslikt Cultural Institute on the Umatilla Reservation, spoke emotionally about conversations between her grandfather and Alvin in the 50s and 60s. Alvin, she said, listened to Indians, and Read The Article
|Beadwork byAllen Pinkham, Jr.|