Category: Nez Perce National Park

Canoe notes #1

A couple of years ago Allen Pinkham Jr. was here at the Josephy Center teaching beading and drum building. At the end of his stay, he said that “We Nez Perce were canoe people. I think I’d like to come back here and build a dugout canoe.”

It’s taken patience and the work of many, but Allen is now fully embarked on building his first canoe—as far as we can figure, the first Nez Perce dugout canoe built in over 100 years.  Allen’s father, Allen Sr., came and checked the rings on the log to determine top and bottom, and told all the canoe stories he had in his very active memory bank. Local logger Jim Zacharias has helped with logs and making a first rough cut on the first log. Josephy Center board member Tim Norman (who happens to be a pretty darned good sculptor) came with tools and a good backswing to help hollow the log.  Bob Chenoweth,
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It’s the Water!

Photo by Edward Sheriff Curtis of Nez Perce Dugout Canoe

A couple of summers ago Allen Pinkham Jr. was here at the Josephy Center teaching workshops. He did a few days of beading and a few making drums with a handful of people interested in the crafts and the Nez Perce Indians who had developed them. At the end of his stay, Allen told me that “We Nez Perce were canoe people you know. I’d like to come back here and carve a dugout canoe.”

That conversation sent me on a journey that landed enough grant funds to bring Allen back—in fact, he’s due in tonight with his father and with Bob Chenoweth from the Nez Perce National Historical Park in Spalding, Idaho. Bob’s made a study of historic Nez Perce canoes— there are only a handful in existence, and the park has four of them—and will do a program based on his research. Allen Sr. will chip in with Read The Article

Canoe People

A year ago, Allen Pinkham Jr. worked for a few weeks as an artist in residence at the Josephy Center. He beaded and made drums and taught workshops in beading and drum-making. At the end of his stay, Allen said that he’d enjoyed himself, and that he would like to come back—and he had an idea.  “We were canoe people. I’d like to come back and build a Nez Perce dugout canoe.” We’ve been working with Allen and aim to help him do that this year.

Nez Perce Canoe–photo by E.S. Curtis c. 1910

It turns out that there are only a handful of Nez Perce dugout canoes in existence. The Nez Perce National Historical Park has four of them, so I went and looked at them, and talked with Park curator Bob Chenowith, who has studied them and written about them.  And with help from the US Forest Service, Nez Perce National Historic Trail, we are on the road Read The Article

Celebrating the Nez Perce

A few hundred Nez Perce Indians called this Valley home for thousands of years. They called themselves Nimipu (“the people”) and identified with this place, their families, their band and its headmen (Young Joseph, Old Joseph, Wal-lam-wat-kain, and on and on) more than any larger tribal group. European horses and diseases got here before Europeans did, and then the fur traders, who probably had seen a couple of Indians in buffalo country with dentalia they had traded for at Celilo through their nostrums, and put the Nez Perce name on them. This all before 1805 and Lewis and Clark. The fur men, migrants themselves, many from France and Scotland, trapped, traded, traveled and married with Indians. They had posts in Spokane and made it to the Pacific just five or six years after the Lewis and Clark’s Corps of Discovery.  Historian Grace Bartlett says there were a couple of Frenchmen living in the Wallowa Valley with Indian wives when the Read The Article

Alvin Josephy, the Listening Man

Gordie High Eagle, Millie Zollman, Albert Barros 

On Sunday at the Josephy Center we honored Alvin with Nez Perce drums and talk and a new exhibit highlighting some of the milestones in his life. This all followed the opening of a splendid Nez Perce Art Show. The show, mounted in celebration of the Nez Perce National Historical Park’s Fiftieth Anniversary, features art that tribal members make for each other—the buckskin shirt, cornhusk bag, moccasins, beaded horse regalia and headdresses worn for ceremony and parade. It’s here for June, then goes to the History Center in Lewiston, Idaho.

The Josephy exhibit stays put!

And, it seems to me, the story it tells—and the honoring of him on Sunday made this explicit—is that Alvin Josephy was a “listener.”

Bobbie Conner, the director of the Tamástslikt Cultural Institute on the Umatilla Reservation, spoke emotionally about conversations between her grandfather and Alvin in the 50s and 60s. Alvin, she said, listened to Indians, and Read The Article

Nez Perce Park turns 50; Alvin Josephy 100

Beadwork byAllen Pinkham, Jr.
The Nez Perce National Historical Park celebrates 50 years this summer, which also marks the centenary of Alvin Josephy’s birth.  Josephy, who passed away in 2005, wrote The Nez Perce and the Opening of the Northwestand is the namesake of the Josephy Center for Arts and Culture and the Josephy Library—which is my gig. As part of the Park’s anniversary celebration, the Center is honored to host “Nuunimnix” a Native American Art Exhibit, which opens this Saturday, May 30 at 3 p.m. This will be followed by a Sunday celebration for Alvin, a “birthday party” for the historian and friend of the Nez Perce people. This one is at 4 p.m. May 31.
The Nez Perce art is not commercial, but “gift art,” the things tribal artists and craftspeople have made for each other. The Nez Perce Park, for those not familiar with it, is unique among national parks because the land is
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